![]() ![]() That difference is also apparent when the guitar is plugged in, and the body’s more resonant characteristics are a great match for the lively Wide Range humbuckers. ![]() Compared to a solid-ash Telecaster, the Thinline sounds much more zingy, resonant, and alive-particularly in the midrange. The semi-hollow construction of the Thinline yields audible differences, too. Still, the natural blonde poly finish is beautiful and marks a lovely visual link between the first blackguard Telecaster and this more deconstructed variation on the form. As a consequence, the grain in the two sections that make up our review guitar are less than ideally matched. Because boring beetles have endangered ash trees, visually perfect specimens of the wood are in short supply these days. On the new American Vintage II version, the ash body is fashioned from two solid sections of ash glued together at the guitar’s center line. To create the lighter, semi-hollow Thinline, Rossmeisl adopted the construction technique he developed for Rickenbacker: routing acoustic chambers from a solid section of ash, and then capping the back of the guitar with a thinner section of wood. ![]() #Electra phoenix guitar serial number series#The first Telecaster Thinline, which appeared in 1969, was hatched from the mind by Roger Rossmeisl, who famously designed Rickenbacker’s 300 series guitars, among others, before moving to Fender and conceiving the Coronado, Montego, and the company’s mid-’60s acoustic line. Pickups were not the only deviation from design norms that distinguished the ’72 Thinline. If you need a lot of tonal variation from one instrument at a reasonable price, consider this bird of many colors. The Phoenix probably won’t replace your trusty P or Music Man, but the this bass isn’t trying to be something it’s not. The Swiss Army approach to pickup configuration works well for anyone who needs several bass tones at the ready. Finally, position 5 places the two bridge pickups in series, bringing the level back up and generating bridge-pickup bite that can stand out in a mix. The result falls a bit short of a full-on MM tone, though the top-end bite and familiar punch makes this setting useful. Position 4 places the two outside coils in parallel, emulating a Music Man humbucker. Pick users can also expect great results here, no matter how powerfully or delicately they play. Pop and slap players will love the big tone, especially paired with the Phoenix’s super-fast neck. (The tone might be mellower on the black-finished model’s ebony fretboard.) Here the Phoenix handled aggressive fingerstyle playing with ease. I still found myself boosting the bass for a bigger tone. Position 3 (both pickup sets in series) is the “money” setting, offering the best the pickups have to offer. #Electra phoenix guitar serial number full#Here, the Phoenix favored a pick, and I needed to play harder to reach the setting’s full potential. I then dimed the low EQ for a tone that was big and even in all registers-a more P-like, yet decidedly modern sound.Ī level drop in position 2 (inside coils in parallel) necessitated another bass bump. ![]() With the bass’s EQ flat, the tone has a modern smack-not at all what I expected from the passive P-style setup. The rotary control’s first position-the neck’s P-style pickups in series-was a great starting point. I fired up an Eden WTX-500 and matching 115 cabinet with the amp’s EQ set flat. Unplugged, the Phoenix has wonderful resonance, with nice maple-neck snap and impressive sustain, thanks in part to the Babicz full-contact bridge and unique 4-bolt heel design, with the screws residing inside metal bushings. Level changes between series and parallel pickup configurations. The maple neck/fretboard snap can be too much for some. ![]()
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